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Jesus, Lover of My Soul

Charles Wesley (1740) · English

trustcomfortcommittal

Jesus, Lover of my soul, Let me to Thy bosom fly, While the nearer waters roll, While the tempest still is high: Hide me, O my Saviour, hide, Till the storm of life is past; Safe into the haven guide; O receive my soul at last. Other refuge have I none; Hangs my helpless soul on Thee; Leave, ah! leave me not alone, Still support and comfort me: All my trust on Thee is stayed, All my help from Thee I bring; Cover my defenceless head With the shadow of Thy wing. Thou, O Christ, art all I want; More than all in Thee I find: Raise the fallen, cheer the faint, Heal the sick, and lead the blind. Just and holy is Thy name, I am all unrighteousness; False and full of sin I am, Thou art full of truth and grace. Plenteous grace with Thee is found, Grace to cover all my sin; Let the healing streams abound; Make and keep me pure within. Thou of life the fountain art, Freely let me take of Thee; Spring Thou up within my heart, Rise to all eternity.

The story of this hymn

Charles Wesley wrote this within two years of the conversion that set the Methodist revival alight, and published it in 1740. Stories have gathered around it — a storm-driven seabird sheltering at his window, a hiding place from a hostile mob — none of them provable, all of them true to the hymn's plea for refuge. Sung to Aberystwyth or Hollingside, it has been called the finest heart-hymn in the English language, and it has closed a great many funerals.

Where it sits in the service

It serves either end of the service: as a gathering hymn its cry for shelter meets the mourners where they are, and as the closing hymn — especially to Aberystwyth — 'O receive my soul at last' becomes the committal itself. The eight-line verses fill a page quickly; most orders of service print verses one, two and four.

In the programme, list it in the order of service as “Hymn — Jesus, Lover of My Soul” with the leader or choir named beside it.

How it is actually sung

Charles Wesley, and a hymn of shelter in a storm — one of the most quoted at funerals for someone who died after a long illness. Four verses. Sung to several tunes depending on tradition, which is worth checking with the organist before printing, because the congregation will start on the one they know.

Printing the words

Public domain. Name the tune in the programme alongside the words; with this hymn more than most, the tune is the thing that varies between churches.

This is practical guidance rather than legal advice. Reproduction rights vary by territory, by hymnal edition and by the licence your church holds — the church office is the right place to ask, and they answer this question often.

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